Confusing Eschatology

The vlog below is very well presented. The speaker has a good grasp of Jewish eschatological expectations as well as Christian eschatology. His presentation likely finds allies in ‘former’ Christians, those acquainted with and/or adhering to orthodox Jewish beliefs, and those generally opposed to Christianity.

His basic premise is that the split nature of Christian eschatology, specifically the ‘already’ (inaugurated eschatology) and the ‘not yet’ (future eschatology)—which is at odds with Jewish expectations—was a Christian invention in the wake of Jesus’ death. In accordance with this view, he thinks the New Testament writers fabricated Jesus’ resurrection as a means by which to alleviate the supposed cognitive dissonance resulting from His Crucifixion. Furthermore, he claims that the 2000 year gap between Jesus’ first century appearance in flesh and the Second Coming makes such a split view of eschatology even more untenable.

There are many ways to counter his views; however, given that he does not affirm the NT writings as (in any way?) authentic, the argument would be unable to properly proceed. Yet, there are a number of Old Testament passages one could point to, the first of which I think should be Isaiah 53. Surely, if this is describing the Messiah, and yet Jewish expectations include a Messianic reign, then the Resurrection must implicitly be part of the plan. Motyer lays out Isaiah’s implied resurrection in 53:10–12 succinctly:

Isaiah does not use the word ‘resurrection’ but these verses display the Servant ‘alive after suffering’ (Acts 1:3). Not, however, alive in the Old Testament sense that the dead possess in the half-life of Sheol  [ED: cf. Luke 16:19–31] . . . The dead (9) is alive (10), the condemned (8) is righteous (11), the helpless (7) is the Victor (12).¹

The way the vlogger chooses to discount the split aspect of Christian eschatology, though, is problematic. In tune with his confirmation bias, he posits a false analogy. He uses failed ‘prophecy’ in the form of Second Coming predictions—even though such predictions violate the Scriptures Christian orthodoxy accepts—to ‘prove’ how Christians use Cognitive Dissonance Theory (CDT) to resolve such failed prophecy.

He uses the Millerites and Seventh Day Adventism as his example, in which the failed date-setting is salvaged via a ‘spiritualized’ fulfillment, while the Second Coming remains yet future. He then implicitly equates this to the Resurrection and its attendant eschatology, suggesting that first century Christians supposedly used similar CDT in order to relieve their dissonance following Jesus’ Crucifixion.

My point in posting this is to show merely one way a person can try to cast doubt on the truths contained in Scripture. It’s all about one’s presuppositions.

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¹ J. Alec Motyer, Isaiah: An Introduction and Commentary, Tyndale Old Testament Commentary [TOTC], (Downers Grove, IL: InterVarsity Press, 2009 [1999]), p 381 (I Capitalized “Victor”).

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Related:

Creating Straw Men from Cognitive Dissonance

God Came to Abide with Us

God came to abide with humanity and at the hands of humanity die,
so forever in His made-without-hands abode could humanity too reside.

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Posts of Christmas past:

Coming Soon Near You!

Today an Eternal Present was Unveiled in the City of David

December

So, why December? I’ve wondered this for a while now.

I’m referring to George Winston’s piano solo album December,¹ which is a seasonal favorite in some circles. I tend to play it every year at this time.

But why did Winston choose this title? It seems odd when reading Winston’s notes on the sleeve, including this sentence (bold added): There is a wealth of traditional and contemporary music to draw from in doing an album for the winter season.² But winter officially begins on either December 20^th, 21^st or 22^nd and lasts for three months after that. Of course, December is typically considered ‘Christmas season’. Or ‘the holiday season’, meaning Christmas (or even Hanukkah and Kwanzaa) and New Year’s Eve/Day.

The selections on December are mostly Christmas-themed. Only one includes a reference to the New Year,³ and none are about winter. Curious.

It probably has to do with this disclaimer on the album:

The traditional pieces were chosen for their appropriateness as instrumental music for this project. They were not meant to convey any personal religious belief.⁴

OK, fair enough, I might say. A person should have their right to individual religious liberty, of course. But then why did he choose some specifically and overtly Christian-themed pieces—as opposed to other religious traditions—for his record? Christian-themed selections include: “Jesus, Jesus Rest Your Head”; “Joy” (based on Bach’s “Jesu, Joy of Man’s Desiring” by way of Hess’ transcription for piano and a guitar arrangement by David Qualey); “The Holly and the Ivy”; “Carol of the Bells” and “Some Children See Him”.

Of the four albums Winston lists as inspiring his project, one is thematically outside historical orthodox Christianity: John Fahey’s The New Possibility.⁵ Yet, two are solidly Christian: Vince Guaraldi’s A Charlie Brown Christmas⁶ and Alfred S. Burt’s This is Christmas.⁷ I’m unfamiliar with the last, so cannot comment: Joseph Byrd, A Christmas Yet to Come (Takoma Records).

In his description of “Some Children See Him” (music by Alfred S. Burt, lyrics Wilha Hutson), Winston makes this claim: The piece was originally a song with lyrics by Wilha Hutson expressing the unconditional love present in children. This is a bit at odds with what appears to be historically correct: History of Hymns: ‘Some Children See Him’. More important, instead of merely conveying “the unconditional love present in children”, the lyrics communicate how children of different backgrounds see the baby and King Jesus through the lens of their own individual cultures:

Some children see Him lily white,
The baby Jesus born this night,
Some children see Him lily white,
With tresses soft and fair.

Some children see Him bronzed and brown,
The Lord of heav’n to earth come down;
Some children see Him bronzed and brown,
With dark and heavy hair.

Some children see him almond-eyed,
This Savior whom we kneel beside,
Some children see Him almond-eyed,
With skin of yellow hue.

Some children see Him dark as they,
Sweet Mary’s son to whom we pray,
Some children see Him dark as they,
And, ah! they love Him, too!

The children in each diff’rent place
Will see the baby Jesus’ face
Like theirs, but bright with heav’nly grace,
And filled with holy light.

O lay aside each earthly thing,
And with thy heart as offering,
Come worship now the infant King.
’tis love that’s born tonight!

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¹ George Winston, December, Windham Hill Records, WH-1025, a division of Windham Hill Productions, Inc. (Stanford, CA) 1982. As an aside, this recording suffers from some of the worst apparent ‘digititis’ I’ve ever heard. By that I mean it was apparently recorded with (early) digital somewhere in the chain, resulting in a harshness that’s hard on the ears. Mine, at least. This is evident on the original LP release and the 20^th Anniversary Edition CD reissue (Windham Hill/Dancing Cat, BMG, 2001). Such a pity, as the music is quite pleasing—at least to me.

² Winston, December.

³ Winston, December, “Minstrels”. This is part of an original 3-piece suite “Night”. In the accompanying author note, Winston states it is based on a St. Basil Hymn, which is a traditional Greek New Year’s carol.

⁴ Winston, December.

⁵ Takoma Records, C-1020, 1968. The record consists of Christian-themed works adapted for guitar (it also includes “Auld Lang Syne”). However, the liner notes reference Paul Tillich, who, according to Fahey, rejects the “Christmas Story” as found in the beginning of Matthew and Luke. In other words, he rejects the Virginal Birth and does not accept the Holy Scriptures on the same level as Christian orthodoxy.

⁶ Original Sound Track Recording, Fantasy Records, F 8431, 1965. Though not on the soundtrack, who can forget Linus’ citing Luke 2:8–14 as he explains the real meaning of Christmas? The soundtrack does include, however, a children’s choir singing “Hark the Herald Angels Sing”: Hark the herald angels sing / glory to the newborn King. This is by far my personal favorite for the Christmas season.

⁷ See info further below.